Cool. Nice job on the coloring, although maybe look into some human anatomy as some of the proportions are a little off. Also, the head appears a little slanted, which isn't really uncommon in front view art, but to avoid that in the future you should hold your drawings up to a mirror. The reflected version will show you flaws that might not be so easily seen dead-on. Anyway, good work. Keep it up. ^_^

Nice anime kind,
but I think could be more work on his face
specially on his eyes.
good working.

Ok...so you love anime right?.....lots of us do....and thats how you want to draw and paint yes??......So as part of your learning process COPY the work of anime artists you admire. Don't sign them and post them...just copy them as an exercise. Copy one a day, EVERY day...it's the same process you used as a child learning to write words and letters, you copied them until eventually you knew all the words, all the letters and now you can write without copying yes?....So is it the same with drawing...eventually you will be able to create without copying because you have learnt all the anime vocabulary...

Many here decry this approach...but copying established artists work has been an essential part of art training for literally centuries...don't ignore it's value.

Thank you very much for all your coments
Specially thanx to kadulfyer.. and yeah you're right, i use tu love drawing with Akira Toriyama Style.. but time to time, i starting trying not to draw like him, so i guess right now im in a transision from that style to another of my own... also, now i've been influenced by the Anime and Manga "Naruto".

thanx

Well done Josa! LOL - Kaduflyer has said most of what I might have wished to say! However, as an 'analog/wet' penman, I get the impression that you create most of your lines by drawing inwards, towards your wrist and body. This style of drawing tends to create slightly unstable, wobbly linework.

Usually, our wrist's reflex movement is to work in an easy, natural, outward arc. Drawing these naturally formed outward curves, away from our wrist and body, working from left-to-right or right-to-left, offers us a smooth, relaxed method of drawing - either with mouse or real pens. Make sense?

If we can adopt this natural, relaxed and almost instinctive mode of drawing, our minds and imaginations can more easily concentrate on the overall impression we want to give our work, instead of seriously concentrating on the one little section we happen to be working on at the time.

It's a bit like driving a car really - we need to look towards where we are going... not where we are now or have been earlier.

But that's just me!

Xris:
Thank you very much for your comment, i really apreciate your critique,
it may be a little weird, but your comments sound just like the ones from a proferssor from my university-college, that was a great explanation.

Thanx again.